Three For Lynn Goldsmith

Posted in Location Photography, Long Exposures, Outdoor Photography on June 11th, 2009 by Rachel Hulin – 1 Comment Tags: , , , , , , , ,

Lynn Goldsmith is an extremely adept multi-tasker as photographers go; she shoots personal work, commercial work (including celebrities and musicians), as well as travel imagery. She took a few minutes out of her busy day to answer my three most pressing questions. Take a gander.

1. You seem to have been very successful bridging the gap between your personal and commercial work. Which work do you feel closest to, and how do you manage to strike a balance?

it is not a matter of closer – it is a matter of feeling more satisfied by one kind of work or the other. My fine art work is both more difficult and more rewarding. Each image requires that I think about something I want to investigate.

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stevie! bob! woody! hillary!

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I spend quite a bit of time thinking about what it means, what it is I want to say and how can I create an image to manifest that. My commercial work has clearly defined goals which takes alot of the weight off of my shoulders. I see it more as problem solving as I am thinking about what the client wants.

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2. Your flower images are beautiful, what is your process for creating them? Are they long exposures, do you enhance the colors?

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The flowers came at a time for me that I wanted to go back to keeping it very simple , one camera, one lens. It was a Nikon and I only used available light and photographed flowers where I found them, not in a studio. I used film and pushed it at least 5 stops.

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3. What is your typical gear set up? Do you generally work with film- how has that process changed with the rise of digital? What do you find is the most important feature a tripod needs for the way you work?

I shoot about 95 % digital and 5% film. My camera choice depends on what i am doing. It is either a Mamiya or a Nikon or both. With digital both the blessing and the curse is all the work one does in processing the files, as so many options are available. A tripod allows me to work without lights and to experience the magic of available light.

Holy cow, those flowers just slay me. Take a look at some more Goldsmiths, here.

–All images copyright Lynn Goldsmith–

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